Friday, October 29, 2010
this is an image taken at the guggenheim museum in new york city. the lines and architecture are incredible, but i was happy to catch those two people peeking over the edge of the top floor.
specs: nikon fm3a + kodak tmax 400 35mm film.
Friday, October 22, 2010
Friday, October 15, 2010
i was in nyc visiting friends a few years back and we were on our way through the city when i made this image. i've seen a lot of photos of times square, but i wanted to take back something that seemed less commercial and more gritty than the current touristy vibe that the area has. the black and white film helped with that, i think.
specs: taken with a nikon fm3a and kodak tmax 400 film.
Friday, October 08, 2010
the grand canyon in black and white. i have a bunch of photos of it, but i like this one because of the shadow from the tree on the cliff where i was perched.
specs: shot on kodak tmax 400 film with a nikon fm3a camera (i think).
Monday, October 04, 2010
this is another holga photo i made during the july 31 sketchcrawl through washington dc. this was taken near the mall, where i saw this strange banner of the colonial drummer. while i wish i could take complete credit for the words overlapping like they did, i discovered the amusing juxtaposition after i developed the film. sometimes even i am a little surprised by what comes out of my holga. :)
Friday, October 01, 2010
i know this image looks a bit different than some of the other film images i've posted, with a strange color cast and all. that is not a mistake - it's a platinum - palladium print! i've made silver print versions of this image as well, but the ghostly quality that i like so much about this image shines through with the platinum technique, so this is the version i prefer and show.
the specs: original negative was made with a hasselblad 501CM camera, and then the negative was enlarged to roughly 5x7. i think this particular image was enlarged digitally (cheating!), but there are plenty others that i enlarged by hand using an enlarger and reversal film, so i don't feel too bad about this - besides, we had to do one digital enlargement for our class. :)
the final negative was then contact printed to a piece of paper that i hand coated in the platinum - palladium solution and exposed under light in a contact print frame. this particular print is on archival hot press watercolor paper (arches was my paper of choice back in the day).