Friday, August 28, 2009
You wanna know where you can see my work next? tomorrow, the Zip Code Show opens in Arlington, and I have two Holga pieces on display there (pictured here), one of which is making its gallery debut!
The show, an artdc.org and Art Outlet collaborative event, is being held in partnership with Halstead Arlington and the Columbia Pike Revitalization Organization. It will take place at the Halstead Arlington, a new luxury apartment building at 1028 South Walter Reed Drive in Arlington, VA.
The ZIP Code Show will open and close with Saturday night receptions that will include art, artists, performers (see below), a cash bar, and hors d' oeuvres courtesy of Rincome Thai Cuisine . The work will be on display during the receptions and Tuesday, September 1 through Friday, September 4.
Erin Antognoli, Michael Auger, Jennifer Beinhacker, Stephen Dobbin, Cheryl Denise Edwards, Laura Elkins, Rita Elsner, Deirdre Forgione, Vickie Fruehauf, H.A. Gallucio, Ric Garcia, Eve Hennessa, Kevin Irvin, Mishka Jaeger, Jessica Jastrzebski, Angela Kleis, Tara Kocourek, Carrie Marie Lipscomb, Matthew Michael Malone, Stephen Mead, Bono Mitchell, Claudia & Sergio Olivos, Kelly Perl, Linda Plaisted, Caren Quinn, Tariq Rafiq, Jeremy Arn Ramirez, Rhett Rebold, Stephanie Elaine Robbins, Johanna Rodriguez, Lisa K. Rosenstein, Roy Utley, Jessica Van Brackle, Emily Voigtland, Alexandra Zealand
the Halstead Arlington
1028 South Walter Reed Drive
Show dates and times:
Opening Reception: August 29 from 5:30 pm - 12 am
Closing Reception: September 5 from 5 - 10 pm
Gallery Hours: September 1 - 4 from 5 - 7:30 pm
Performances by: Rhythm Worker’s Union (Djembe drumming), Parliament Hill (American folk), KUKU (Nigerian singer/songwriter), Saffron Dance (Belly Dancing), Margot MacDonald (American blues/rock), Wes Tucker (American folk/blues), DC Shorts (film)
Monday, August 17, 2009
I am happy to announce my 5th place finish in the "Family Love" category of the ISPWP (International Society of Professional Wedding Photographers) Summer image contests. The winning image was taken at Jennifer + Joe's wedding at The Washingtonian Marriott in Gaithersburg, Maryland last year.
I rarely enter contests (the ISPWP is about the only contest I enter these days, in fact!), so it's always an honor when the judges choose my work among all the other talented photographers out there. I have a wonderful time making these images, and it's always nice to see others reacting well to them too.
Check out the contest images here: Summer 2009 Contest - Family Love
And the ISPWP site here: ISPWP
The ISPWP has a strict code of admittance for wedding photographers, as follows:
The application process helps to ensure that ISPWP members are established, experienced and have reached a high level of professionalism. The membership committee will evaluate applicants on the following criteria:
* At least 50 weddings as the principal photographer (not as secondary/backup)
* Sponsorship by an existing ISPWP member OR two email references from recent clients and two email references from fellow professional photographers
* Website review
* Agreement to operate your business in accordance with the Code of Conduct
* No unresolved complaints with the Better Business Bureau or other similar consumer protection organization
Tuesday, August 11, 2009
I recently attended my annual Antognoli family reunion and decided to skip the digital photography altogether this time around. Armed only with my Hasselblad and a pile of 120 film, I made these and many more images of my relatives. I chose these two images to share for this post because they both share the balloon motif.
These are scans from the actual silver gelatin prints that I made in the darkroom last time around. Normally I just scan the film, but I wanted to know that I could print these for real, rather than adjusting in Photoshop after the fact, so what you see is what resulted from my darkroom time.
In short, I learned that I am rusty with the Hasselblad, and even rustier in printing straight (read: non-Holga or alternative processes) images in the darkroom. But it felt so good to print "normal" single frame photos and I am going to try to do this again in the near future.